Guest Post: Qehva Ghar by Saqib Ahmed
Posted by عمار - aMmAr | Posted in Guest Writer, Social and Politics, Weekend whining, videos | Posted on 17-01-2010-05-2008
1

Circling the underground music scene for the past few years, I came across T2F (The Second Floor), a project by PeaceNiche (a not-for-profit social entrepreneurship organization), determined to revive the coffee-house culture, that gave voice to such progressive writers and poets like Sa’adat Hassan Manto and Ahmed Nadeem Qasmi in early Pakistani literary history, but seemed to have faded with time. From the fifteenth century coffee houses of Damascus and Cairo, the coffee house phenomenon has had its share of ups, downs, revelations, bans and revolts. But as long as people choose to think, the cycle will go on. Bringing live music to coffee houses can be credited to the 60’s American political/folk musicians like Dylan, which served as a great idea for young musicians to find small audiences in intimate settings.
T2F reminds me of the 90’s hit show “Fresh Prince of Bel-Air”, where young Afro-Americans found home at coffee houses for raw expression to vent out decades of suppressed emotions, rather than taking it to the streets. And we can’t help but relate to that, considering the rapidly deteriorating socio-economic/political conditions in our own country.
The recent Open Mic event was another example of how much nurturing the artistic side of our society needs and how these artists go widely un-noticed due to a lack of similar platforms. We keep cursing the music industry for having lost it’s stature within the international music scene, and for musicians who can’t play their own songs live, let alone improvise… but watching these young musicians pour their hearts out that night helped me regain some hope.
The multi-talented comedian-cum-musician host Saad Haroon made sure that there was never a dull moment, keeping in place the rhythm of the whole event, and keeping the audience occupied while each group went through sound check. His Meera jokes, of course, sent the roof flying off with roars and laughter.
The highlight of the evening, for me, was when Sax player Miqdaad Mohammad played “Hey Soul Sister” with a little help from ADP (Aunty Disco Project) member, Ali. His melodic saxophone notes complemented with a strong vocal style made a perfect combination that helped lift the audience’s spirits. Another noticeable act was the duo “Saada Khushboo” that played their own unique blend of acoustic blues and upbeat percussion’s.
The Viccaji sisters, with their soft tones, had their own individual flavors to bring to the audience and their harmonic chemistry was definitely applaudable. An un-announced pop-in by Haniya from “Zeb and Haniya” was also a pleasant surprise. The closing band ‘Bell’ played around with their improvised instrumentals and got multiple encore requests before the night could end. And last, but not the least, hats off to Omar Bilal (better known as OBA) from ADP for bringing together all these people in one room.
A little over 10 pm, the gig seemed to have ended too soon, even with more than a dozen acts. But that’s just one of the perks, unfamiliar to us Karachiites, of actually starting on time (:
- Contributed by Saqib Ahmed
Photo Credits: Jamash
Video Credits: Jehan Ara
Popularity: 41% [?]














